Shopping on line can be easy, simple and save you lots of money. It can also take a lot of your time, frustrate you, and result in unwanted purchases. Now the same can be said for regular high street shopping, but with the vast opportunity presented by the Internet it will pay you to spend a few minutes reading this and understanding how to better optimize your Episodic Games shopping experience:

1. Compare - without doubt the biggest advantage that the Episodic Games offers shoppers today is the ability to compare thousands of Episodic Games at a time. This is a great thing, but not necessarily all the time! Too much can be daunting at times so take advantage of the great comparison sites and where possible let them do the hard work for you.

2. Research - if it has been said it will be on the internet. Ignorance is no longer a justifiable reason for buying the wrong thing. Take the time to research in detail everything that you could possible want to know about

3. Testimonials - don't know anybody that has bought a Episodic Games? Wrong! If the Episodic Games is good the internet will let you know. Use the Internet as a friend and get testimonials before you buy.

4. Questions - Got a question about Episodic Games then search the Forums, FAQ's, Blogs etc. Don't be afraid to ask .....

5. Reputation - Never heard of the company selling Episodic Games? Don't worry, no reason why you should know every company in the world, but you know someone that does! Use the internet to find out what people are saying about Episodic Games and build up a picture of their reputation for sales, returns, customer service, delivery etc.

6. Returns - still worried that even after all of the above your Episodic Games wont be what you want? Check out the returns policy. There is so much competition now that someone, somewhere is bound to offer the terms that you are comfortable with.

7. Feedback - happy with your Episodic Games then let people know, after all you are depending on others people input in your buying decision, so why not give a little back.

8. Security - check for the yellow padlock on the Episodic Games site before you buy, and the s after http:/ /i.e. https:// = a secure site

9. Contact - got a question about Episodic Games, or want to leave a comment then check out the sites contact page. Reputable companies have them and respond.

10. Payment - ready to pay for your Episodic Games, then use your credit card or PayPal! Be aware of companies that don't accept them, there may be genuine reasons but given the huge amount of choice you have when buying online there is no reason at all not to buy via credit card or PayPal.

Episodic games are those produced and sold in small units that build into a recognisable series. Such a series may or may not have continuity, but will always share settings, characters, and/or themes. Episodic production in this manner has become increasingly popular among video game developers since the advent of low-cost digital distribution systems, which can immensely reduce their distribution overhead and make episodes financially viable.

Definition To consumers, episodic games are very similar in nature to expansion packs. An expansion is an add-on to an original, non-episodic product however; something of a lower order. In an episodic series there is no dominant 'parent game': each installment, although perhaps of the same length and price point as an expansion, is a main event that drives the core experience forward.

Advantages

• A cheaper purchase price per episode leads to lower immediate risk for consumers and increased uptake.
• The lack of the 'safety net' for disengaging periods provided by longer, less focused games coupled with the need to keep consumers on board for multiple release produces greater motivation for the production of quality and innovative titles.
• Exposure and experience from early episodes can benefit the production quality of future releases.
• Lower risk investment for the developers, as the games cost less to develop and to sell and are quicker onto the market.
• Higher quality of life for developers, with more manageable, focused projects.
• Faster games to market, as many high production titles often take anywhere from 2-5 years to complete - with episodic gaming, the wait time is often reduced to an annual or bi-annual basis.
• Developing in smaller chunks means developers can better adapt to community feedback in between releases.
• The developer gets several chances to hit the market with a lower level of risk each time, as opposed to a single chance to make good a lone product that has far more investment riding on it.
• New advancements can be added to the next release.

Disadvantages

• After buying all episodes, the total cost for consumers may be more than that of the typical game.
• If earlier episodes fail to sell, then funding for future episodes may suffer or disappear, forcing developers to renege on promises of future episodes and cut storylines short.
• In some situations it can be counter-productive using this method as opposed to plainly producing a full-fledged sequel or series of titles. Examples include sandbox (video games) titles such as the Grand Theft Auto (series) and The Sims series.
• Most episodic content is distributed primarily or exclusively over the internet, to offset the potential extra costs of distributing more physical copies to retail (i.e. 5 hard copies for 5 chapters over 4 years as opposed to shipping a single item once). This is a disadvantage to consumers with limited or slow internet access, who might have to wait for a physically-published collection of episodes or never get anything at all.
• Some content will always need to be created up-front, for example rendering technology. This makes bespoke Game engine software unsuitable in its complex modern form.
• A player trying to progress through a series of episodes may find the technological advances over time distracting; in extreme cases, they may even be put off by the primitive techniques used in episodes produced years before.
• This is only an issue for series in which episodes are not context-independent.

Single player episodic gaming Single player games, particularly real-time strategy games and first-person shooters, have in the past experimented with a very limited form of episodic gaming, by adding new stages, levels, weapons, enemies, and/or missions with expansion packs.

Early examples include Wing Commander game series#Wing Commander: Secret Ops .281998.29, which was released episodically over the internet in 1998. However, this series was a failure and was discontinued after it failed to attract significant player numbers. One of the contributing factors was its 120MB download size, which may have been prohibitively large in an age in which 56k internet access was the norm. Limitations in bandwidth have also been cited as one of the reasons for the failure of the episodic alternate reality game Majestic (video game), as it required an initial download of an hour or more on a dial up connection. This lengthy delay may have attributed to 91 percent of players failing to complete the registration process.

Kuma Reality Games has played a major role in developing first person shooter (FPS) episodic games since its inception in 2003. Some of the 'game-isodes' that this company has put out include The DinoHunters, which documents a group of off-key time travelers hunting dinosaurs and other prehistoric beasts, as well as the somewhat controversial Kuma\War, which focuses on recent military action in the world, especially in Iraq and Afghanistan. Recently Kuma Games produced a series mirroring The History Channel's Shootout! series. The games created were modeled off of the battles that the TV show featured, adding another level of media depth to episodic gaming in general.

Other games have contemplated going the route of episodic development and distribution, only to decide against it. Examples of this include Quantic Dream's Fahrenheit (video game) and a planned series of episode starring Duke Nukem (character) by ARUSH Entertainment.

Valve Corporation's Steam (content delivery) is being used as a content delivery platform for two episodic games: SiN Episodes by Ritual Entertainment and Half-Life 2: Episode One developed by Valve themselves.

Telltale Games's Bone: Out from Boneville is an adventure title that is literally adapting chapters from Jeff Smith (cartoonist)'s Bone comic book saga into game episodes on a periodic basis. The first two episodes have already been released. Telltale's Sam & Max (computer game) title is also being distributed episodically.

MINERVA (mod) is a single player modification that has adopted an episodic development structure, and one of the first mods to do so for Valve's Half-Life 2.

Turner Broadcasting's GameTap has made large investments in episodic game development. The online game service's first episodic game, Sam & Max, was co-published with TellTale Games. Each episode premiered on GameTap 14 days before becoming available on the Telltale Games web site. GameTap's second foray into episodic games was monthly content deliveries for the online massive multiplayer game, Myst Online: Uru Live from Cyan Worlds. In February, GameTap announced a third episodic game, Galactic Command: Echo Squad, developed in conjunction with developer 3000AD. Their most recently announced game, the 24 episode American McGee's Grimm, was announced in May of 2007 for an early 2008 launch. GameTap's vp of content, Ricardo Sanchez, has written for sites like Gamasutra and GameDaily and presented at the D.I.C.E. Summit on the subject. His "Three Laws of Episodics" lay out rules by which GameTap determines whether a title is episodic or not, and rules out Bone and Half-Life 2: Episode One|Half-Life 2 Episodes due to the unknown duration of time between episodes.

Massively multiplayer online gaming Since episodic gaming is mostly driven through linear storytelling, outside of story-driven single player games, it is mostly found in Massively multiplayer online games. Much as they worked for offline games, expansion packs have often been sold to increase available content to MMOG players by adding additional worlds to explore and additional gameplay features, such as new weapons and characters.

As the term relates to this genre, episodes are typically contrasted to the traditional expansion pack, as in the Asheron's Call franchise, where episodic content was downloaded without an additional fee (to the standing subscription price). This included new expansive story arcs comparable to those found in offline RPGs and were updated on a bi-monthly basis. It should be noted that retail expansion packs were still created for the Asheron's Call games.

Another MMOG featuring an episodic design is the Guild Wars series developed by ArenaNet. The company's business model involves releasing new, independent chapters for the game on a six month basis. Since Guild Wars does not charge a monthly fee, and there is no requirement to own the newer chapters, it is one the few games entirely reliant on the episodic games model to continue its service. To this end, Guild Wars Factions was released on April 28, 2006, which was subsequently followed by Guild Wars Nightfall, released worldwide on October 27, 2006, and finally Guild Wars Eye of the North on August 31, 2007.

References

• Catalin Z. Alexandru 2006 "Episodic Gaming, fact or fiction". TheG33ks.
• Ricardo Sanchez 2006 "What is episodic?. GameDaily
• Jason Kraft and Chris Kwak (April 2006) "Episodic Gaming in the Age of Digital Distribution". GamaSutra.
• David Edery (April 2006) "In Defense of Episodic Content - A Response to the Above Article".
• Patrick Klepek (April 2006) "Bethesda Responds To Oblivion Issues" - Fan reaction to the Horse Armour expansion. 1UP.com
• N. Evan Van Zelfden (March 2006) "Dallas Developers: Ritual" - Steve Nix of Ritual Entertainment discusses Episodic delivery of SiN Episodes. Next Generation
• Kris Graft (August 2005) Micropayments. Next Generation
• Ben Williamson (April 2003) "Episodic gaming" Futurelab
• Pete Rojas (August 2002) "But Serially, a Game in Episodes?" Wired magazine
• David Kushner (March 2002) " So What, Exactly, Do Online Gamers Want?" New York Times

Episodic games are those produced and sold in small units that build into a recognisable series. Such a series may or may not have continuity, but will always share settings, characters, and/or themes. Episodic production in this manner has become increasingly popular among video game developers since the advent of low-cost digital distribution systems, which can immensely reduce their distribution overhead and make episodes financially viable.

Definition To consumers, episodic games are very similar in nature to expansion packs. An expansion is an add-on to an original, non-episodic product however; something of a lower order. In an episodic series there is no dominant 'parent game': each installment, although perhaps of the same length and price point as an expansion, is a main event that drives the core experience forward.

Advantages

• A cheaper purchase price per episode leads to lower immediate risk for consumers and increased uptake.
• The lack of the 'safety net' for disengaging periods provided by longer, less focused games coupled with the need to keep consumers on board for multiple release produces greater motivation for the production of quality and innovative titles.
• Exposure and experience from early episodes can benefit the production quality of future releases.
• Lower risk investment for the developers, as the games cost less to develop and to sell and are quicker onto the market.
• Higher quality of life for developers, with more manageable, focused projects.
• Faster games to market, as many high production titles often take anywhere from 2-5 years to complete - with episodic gaming, the wait time is often reduced to an annual or bi-annual basis.
• Developing in smaller chunks means developers can better adapt to community feedback in between releases.
• The developer gets several chances to hit the market with a lower level of risk each time, as opposed to a single chance to make good a lone product that has far more investment riding on it.
• New advancements can be added to the next release.

Disadvantages

• After buying all episodes, the total cost for consumers may be more than that of the typical game.
• If earlier episodes fail to sell, then funding for future episodes may suffer or disappear, forcing developers to renege on promises of future episodes and cut storylines short.
• In some situations it can be counter-productive using this method as opposed to plainly producing a full-fledged sequel or series of titles. Examples include sandbox (video games) titles such as the Grand Theft Auto (series) and The Sims series.
• Most episodic content is distributed primarily or exclusively over the internet, to offset the potential extra costs of distributing more physical copies to retail (i.e. 5 hard copies for 5 chapters over 4 years as opposed to shipping a single item once). This is a disadvantage to consumers with limited or slow internet access, who might have to wait for a physically-published collection of episodes or never get anything at all.
• Some content will always need to be created up-front, for example rendering technology. This makes bespoke Game engine software unsuitable in its complex modern form.
• A player trying to progress through a series of episodes may find the technological advances over time distracting; in extreme cases, they may even be put off by the primitive techniques used in episodes produced years before.
• This is only an issue for series in which episodes are not context-independent.

Single player episodic gaming Single player games, particularly real-time strategy games and first-person shooters, have in the past experimented with a very limited form of episodic gaming, by adding new stages, levels, weapons, enemies, and/or missions with expansion packs.

Early examples include Wing Commander game series#Wing Commander: Secret Ops .281998.29, which was released episodically over the internet in 1998. However, this series was a failure and was discontinued after it failed to attract significant player numbers. One of the contributing factors was its 120MB download size, which may have been prohibitively large in an age in which 56k internet access was the norm. Limitations in bandwidth have also been cited as one of the reasons for the failure of the episodic alternate reality game Majestic (video game), as it required an initial download of an hour or more on a dial up connection. This lengthy delay may have attributed to 91 percent of players failing to complete the registration process.

Kuma Reality Games has played a major role in developing first person shooter (FPS) episodic games since its inception in 2003. Some of the 'game-isodes' that this company has put out include The DinoHunters, which documents a group of off-key time travelers hunting dinosaurs and other prehistoric beasts, as well as the somewhat controversial Kuma\War, which focuses on recent military action in the world, especially in Iraq and Afghanistan. Recently Kuma Games produced a series mirroring The History Channel's Shootout! series. The games created were modeled off of the battles that the TV show featured, adding another level of media depth to episodic gaming in general.

Other games have contemplated going the route of episodic development and distribution, only to decide against it. Examples of this include Quantic Dream's Fahrenheit (video game) and a planned series of episode starring Duke Nukem (character) by ARUSH Entertainment.

Valve Corporation's Steam (content delivery) is being used as a content delivery platform for two episodic games: SiN Episodes by Ritual Entertainment and Half-Life 2: Episode One developed by Valve themselves.

Telltale Games's Bone: Out from Boneville is an adventure title that is literally adapting chapters from Jeff Smith (cartoonist)'s Bone comic book saga into game episodes on a periodic basis. The first two episodes have already been released. Telltale's Sam & Max (computer game) title is also being distributed episodically.

MINERVA (mod) is a single player modification that has adopted an episodic development structure, and one of the first mods to do so for Valve's Half-Life 2.

Turner Broadcasting's GameTap has made large investments in episodic game development. The online game service's first episodic game, Sam & Max, was co-published with TellTale Games. Each episode premiered on GameTap 14 days before becoming available on the Telltale Games web site. GameTap's second foray into episodic games was monthly content deliveries for the online massive multiplayer game, Myst Online: Uru Live from Cyan Worlds. In February, GameTap announced a third episodic game, Galactic Command: Echo Squad, developed in conjunction with developer 3000AD. Their most recently announced game, the 24 episode American McGee's Grimm, was announced in May of 2007 for an early 2008 launch. GameTap's vp of content, Ricardo Sanchez, has written for sites like Gamasutra and GameDaily and presented at the D.I.C.E. Summit on the subject. His "Three Laws of Episodics" lay out rules by which GameTap determines whether a title is episodic or not, and rules out Bone and Half-Life 2: Episode One|Half-Life 2 Episodes due to the unknown duration of time between episodes.

Massively multiplayer online gaming Since episodic gaming is mostly driven through linear storytelling, outside of story-driven single player games, it is mostly found in Massively multiplayer online games. Much as they worked for offline games, expansion packs have often been sold to increase available content to MMOG players by adding additional worlds to explore and additional gameplay features, such as new weapons and characters.

As the term relates to this genre, episodes are typically contrasted to the traditional expansion pack, as in the Asheron's Call franchise, where episodic content was downloaded without an additional fee (to the standing subscription price). This included new expansive story arcs comparable to those found in offline RPGs and were updated on a bi-monthly basis. It should be noted that retail expansion packs were still created for the Asheron's Call games.

Another MMOG featuring an episodic design is the Guild Wars series developed by ArenaNet. The company's business model involves releasing new, independent chapters for the game on a six month basis. Since Guild Wars does not charge a monthly fee, and there is no requirement to own the newer chapters, it is one the few games entirely reliant on the episodic games model to continue its service. To this end, Guild Wars Factions was released on April 28, 2006, which was subsequently followed by Guild Wars Nightfall, released worldwide on October 27, 2006, and finally Guild Wars Eye of the North on August 31, 2007.

References

• Catalin Z. Alexandru 2006 "Episodic Gaming, fact or fiction". TheG33ks.
• Ricardo Sanchez 2006 "What is episodic?. GameDaily
• Jason Kraft and Chris Kwak (April 2006) "Episodic Gaming in the Age of Digital Distribution". GamaSutra.
• David Edery (April 2006) "In Defense of Episodic Content - A Response to the Above Article".
• Patrick Klepek (April 2006) "Bethesda Responds To Oblivion Issues" - Fan reaction to the Horse Armour expansion. 1UP.com
• N. Evan Van Zelfden (March 2006) "Dallas Developers: Ritual" - Steve Nix of Ritual Entertainment discusses Episodic delivery of SiN Episodes. Next Generation
• Kris Graft (August 2005) Micropayments. Next Generation
• Ben Williamson (April 2003) "Episodic gaming" Futurelab
• Pete Rojas (August 2002) "But Serially, a Game in Episodes?" Wired magazine
• David Kushner (March 2002) " So What, Exactly, Do Online Gamers Want?" New York Times